"Artist Frank Okada played a significant role in the modern art history of the Pacific Northwest. Born a Nisei in 1931, he was raised in Seattle's International District. Throughout his life he retained its influences and expressed his vivid memories in his art. From his first painting award - received at the Washington State fair - until his death in 2000 at the age of sixty-nine, he worked at the confluence of regional art, Asian culture, and national art movements." "At the beginning of his career, Okada received a series of prominent fellowships - John Hay Whitney in 1957, Fulbright in 1959, and Guggenheim in 1966-67. He was greatly influenced by the artists he met and was a close observer of the art scenes in New York, Paris, and Kyoto in an effort to find his own style of painting and how to be a painter. He began teaching painting at the University of Oregon in 1969, a tenure that lasted thirty years. His work from the seventies, eighties, and nineties balanced forms and colors in intensely worked surfaces. The color blocks gradually became more intellectually structured and his compositions more expressive as he made his colors more powerful. As Nakane notes, without recognizable reference to nature or his own personality, he created a texture that brought light to a field of color. The build-up of color dots underneath and extensive small textural stories across large canvases made progress slow. In order to appreciate his paintings, one needs to spend time observing how the colors respond to the charges of light throughout the day."--Jacket

Catalogues d'exposition, Exhibition catalogs, Okada, Frank S. 1931-2000, Okada, Frank S. 1931-2000 Exhibitions, Tenrankaikatarogu, exhibition catalogs

Foreword / Susan Parke Introduction: Effacing form / Lawrence Fong Frank Okada in American art / Kazuko Nakane

Catalog of an exhibition held at the Museum of Northwest Art, Oct. 8, 2005-Jan. 8, 2006

Catalog of an exhibition held at the Museum of Northwest Art, Oct. 8, 2005-Jan. 8, 2006